O n a superficial level, I can respect the ambition of My Best Friend's Wedding. After all, it was a daring move to take Julia Roberts, one of cinema's most likable rom-com heroines, and turn her into a backstabbing villain. Date movies had settled and become stale by the late 90s, and this was a clear…
T op Gun: Maverick shouldn't work as well as it does. After all, the original film has long become an 80s nostalgia piece--a cinematic keepsake of a different era: Top Gun was an overblown anthem to hyper-patriotism, with flared nostrils and jittery cocaine sweats. That film couldn't salute the flag hard enough, as spangly,…
K ill Bill forever cements Quentin Tarantino's reputation as a cinematic mad scientist, pouring disparate chemicals into a beaker and cackling manically as they pop and fizz. The resulting concoction becomes moviedom's strangest masterpiece: It's goofy, gory, and gleefully indulgent. But Tarantino also achieves something that's both quietly miraculous and deceptively difficult: Over the course of Bill's…
T he trailers for The Lost City filled me with dread. I feared an expensive, gauche knock-off of Romancing the Stone, Indiana Jones, and a half-dozen other, better movies. And don't get it twisted--this movie still ain't gonna make anybody throw down their crutches and walk. Still, a talented, high-dollar cast buys right into this film's refined sense of…
F ather of the Bride is a fluffy little comedy, in which perfectly amiable people grapple with an assortment of First World problems. We watch a millionaire fret about spending money on his daughter's extravagant wedding, when she'll marry into an even wealthier family. I imagine a lot of people watching this movie would swap…
T he Northman puts me into a bit of a tangle. On the plus side, director Robert Eggers creates a relentlessly visceral revenge epic, set against a sweeping historical backdrop. The acting, the cinematography, and the set design are worthy of Oscars. At the same time, this is a dour, wearying experience. And taken over…
It’s all in the execution. Uncharted gives us clunky, expository dialogue and special effects so real they look fake.
O f all baseball movies, none will have a higher nostalgia factor for 90s kids than Rookie of the Year. It brilliantly takes a gangly middle schooler and chucks him right into the big leagues. For 103 glorious minutes, we get to live vicariously through Henry Rowengartner (Thomas Ian Nicholas) as he becomes an ace pitcher…
Doctor Strange in the Multiverse of Madness will draw inevitable comparisons to Everything Everywhere All at Once, Michelle Yeoh's bravura indie feature from last month. Like that film, this story imagines an infinite collective of universes, where anything that can happen, does happen. But where Everything used its reality-hopping premise to ponder the very nature of existence, Strange 2 assembles its…
N o film in recent memory gets a more appropriate title than Everything Everywhere All at Once. Over the course of its dizzying, dazzling 140 minutes, multiple movie genres smash into each other, like protons in a particle accelerator. The result is an explosion of pure cinematic energy, with shockwaves of dense plot bursting from the screen. Sadness…