If nothing else, Zack Snyder’s Justice League is probably the best thing that could’ve been reaped from the original material. And yes, that’s an insult and a compliment, bundled into one sentence.
Todd Wofford
Miami constructs a meetup of incredible people who tackle still-relevant issues. They push each other, and end up challenging us in the process. This is a funny, provocative, moving film, one that exceeds the hype surrounding it.
The Wrong Missy is a disastrous movie. It’s criminally unfunny and decidedly not romantic. I didn’t want Tim and Missy to get together.
This film puts me in a bit of a bind. I was good and ready to call the Oscars for Nomadland. Now, I’m not so sure.
In the The United States vs. Billie Holiday, director Lee Daniels finds the perfect actress to embody such a monumental subject. He just can’t get the material up to that same standard.
In order to get this stinkeroo up to movie length, they have to move Tom and Jerry into the real world, where a buffet of boring human subplots can pad things out.
The Broken Hearts Gallery is an above average romantic comedy, perfect for any date night. It might be stickier than a melted Snickers, but sometimes that’s exactly what ya need.
Waugh and company combine an intelligent script and a refreshing sense of realism to do exactly that. I was hooked, and that doesn’t happen terribly often. Most disaster movies are catastrophes in every way you can measure, but this one gets just about everything right.
As a character study, Nomadland is strengthened by a startling sense of realism: When Fern mingles with the actual people depicted in Bruden’s book, it feels eerily like we’re watching a documentary.
Judas takes an important, unheralded story and tells it well. Unfortunately, the message behind it remains heartbreakingly relevant.
