This is a dewy-eyed love poem to Hollywood’s Golden Age: Fincher takes us meandering through studio backlots and into the haze of smoke-filled meetings.
Good intentions and great performances almost hoist the film up out of its familiar groove, but not quite.
Some viewers might find its beginning too muted and its ending too gory, but I found most of it to be just right.
Little Fish is a wonderful film that reminds us just how much who we are is defined by where we’ve been and who went with us a long the way.
I suppose the only good thing about this withering saga of bullies and jerkwads is that it eventually ends.
This is two-thirds of a decent movie, the rest of which strands a powerhouse cast.
Unlike many modern Westerns, which busy themselves with reinventing the genre or tearing down the mythos of frontier life, News just delivers a good old-fashioned movie.
[su_dropcap size="5"]T[/su_dropcap]he Night wasn't made with the foresight of what the world would look like in 2020, but it certainly feels that way. This ugly, tempestuous year has given us all a kinship with the protagonists of the film: We're all bricked into our homes, islanded by our fears and anxieties in a long night…
Promising Young Woman’s style may not be for all tastes, but hidden within its unique comedy is a message everybody needs to hear.
Acasa is one of those rare films that raises difficult questions, and never promises any answers, if the answers even exist at all.