Unlike many of Martin Scorsese’s protagonists, Frank Sheeran lives long enough to look back on his life with an uneasy blend of wry nostalgia and armor-piercing regret.
Todd Wofford
If you’re looking for solid, cinematic escapism, you could do a lot worse than this undemanding whodunit.
As a Space Western, The Mandalorian gets stronger as it goes along. The action scenes are killer, and it has attitude and atmosphere to spare. This feels like the breath of fresh air Star Wars has needed for a good long while.
I've had some kind of seasonal crud for the past week. That means antibiotics, which also…
Beneath his guileless goodness, a deceptively strong current of spiritual bravery ran through Fred Rogers. It couldn't have been easy to be the lighthouse, a reliably calming influence in a world made stormy with cynicism. Any man who could be that would naturally invite parody and derision, but Rogers had no apprehension of such negativity.…
If movie clichés were flammable, Playing with Fire would go up in a four-alarm blaze. Just about any trope you can imagine gets chucked into the burn pit: You want a chiseled hero with a secret heart of mush? Done. What about a high-strung comedy sidekick who chews up all the scenery? Got it. And three adorable…
Ford v Ferrari harkens back to a time when race cars were an art form, and drivers served as eccentric artists who suffered for the craft. Races stretched for 24 hours, with men stuffed into road-bound rockets that hurtled along at over 200MPH. Like so many expressions of poetry, it was savage, beautiful, and bewildering. Ford…
For this week’s Cinemavino, we take a look at the Disney’s latest Star Wars offering, and we enjoy some delicious Spanish Albariño.
Ironically, Last Christmas made me think of Halloween: There’s only so much sugar a person can handle in one sitting.
For this week’s episode of Cinemavino, we discuss the upcoming Star Wars sequel, The Rise of Skywalker. Once again, Daniel Gimlin joins us for some good wine and lively conversation.
Writer-director Taika Waititi uses his delirious sense of humor to skewer the subjects of fascism and intolerance.
