I t's no surprise Quentin Tarantino named Battle Royale as his favorite movie released since 2000. Brazen, brilliant, and unabashedly frenetic, this film feels like a cinematic cousin to his own oeuvre. And much like QT, the makers behind Royale pull from countless influences to create something new and weirdly beautiful: The savagery of Lord of the…
T he Last Voyage of the Demeter offers a mild dose of entertainment, provided you can accept two conditions: It is only one leg of a larger voyage, and both the origin and destination are far more compelling. As such, this tidbit will offer you little to care about. If you’re down…
T wo battles rage throughout Ridley Scott's Legend: On one front, the forces of purity duke it out with the belching, gurgling minions of evil. Meanwhile, on a macro level, the entire film is an epic showdown between the brilliant and the blah. Visually, Scott's bizarre, audacious fantasy is a wondrous achievement. Jaw-dropping makeup and prosthetics…
N o Hard Feelings carefully follows the template of modern cinematic comedy: Raunchy and skeezy on the outside, but with a gooey, sweet filling in the middle. Its protagonist is a lost soul, adrift and flailing in the Sea of Adulthood. This is the filmic build Judd Apatow wishes he could patent. In that case,…
B loodsport stands as one of the most deliriously goofy action movies ever made, and yet every scene is soaked with a deadly seriousness. Such a combination is generally fatal, and yet this overwrought martial arts bonanza finds a way to endure. More than any movie I've yet reviewed, this one defies all description: It's…
T rollhunter is an agreeably daffy little film that lives at the junction of dark comedy, light horror, and high fantasy. It combines the jerky, found-footage feel of The Blair Witch Project with Tolkienesque troll mythology to create an energetic and engaging mockumentary. The resulting film may not be for all tastes, and some viewers…
A fter I watched Spider-Man: Across the Spider-Verse, I went back to my review of the first film. Apparently, I gave Into the Spider-Verse 3.5 out of 5 stars. On one hand, that rating seems pretty low. On another, it seems...well, dumb. After all, that film was just the burst of energy and invention that comic book movies needed.…
I f you could program AI to deliver a half-assed sequel to Tommy Boy , it would look a lot like Black Sheep . As with a machine, the filmmakers can’t fashion actual comedy, so they settle for a clattering, mechanized imitation of it. Words get strung…
I have an informal list of around twenty five perfect movies, and Jaws maintains a permanent residence. Everything about it is a master class in cinema, from the cinematography, editing, directing, to the note-perfect acting. And that's to say nothing of John Williams' score, which economically builds the most terrifying motif this side of…
T hroughout Barbie, two completely different movies jockey for prominence. In one, director Greta Gerwig (who co-writes with her partner, Noah Baumbach) fashions the iconic doll into a walking, talking instrument of satirical destruction. The other is a broad, obvious Message Movie, in which characters carve out time for impassioned speeches, replete with tears and clenched…