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Eighth Grade (2018)::rating::4.5

Between the age of twelve and eventual adulthood lies a gaping, treacherous chasm, filled with the wilderness of puberty. Hormones rage, bullies reign, and our once-beloved parents become pariahs. Not surprisingly, most movies approach this awkward time of life awkwardly: Actual teen issues of anxiety, depression, and burgeoning sexuality are difficult and three-dimensional, so it's…

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Bumblebee (2018)::rating::3.5

Bumblebee makes a wise move by chucking the mechanical three-ring circus of past Transformers films into the dumpster. In place of all that clunking cacophony we get something surprising: A fun, patiently-paced film, filled with characters who do more than run, scream, and hide. This is a prequel that feels more like a rejuvenation. It's 1987, and…

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Aquaman (2018)::rating::3.5

Aquaman takes 100 minutes worth of rollicking escapism and dilutes it into 145 minutes worth of movie. At some point, all the subplots and flashbacks and supporting characters and mythic beasts and sweeping aquatic battles amount to an overpacked suitcase, with the filmmakers sitting on it to get the latches shut. Jason Momoa is great…

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Mortal Engines (2018)::rating::2.5

The makers of Mortal Engines clearly went to great lengths to render a fully three-dimensional world, only to populate it with two-dimensional characters.  This is perfectly embodied in a scene where the two protagonists sit breathlessly after a narrow escape.  "That was close!"  One of them gasps.  "Yeah," says the other.  "Too close!"  Millions of dollars are…

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The Favourite (2018)::rating::5

"We breed wars," Eleanor of Aquitaine says in The Lion in Winter.  "We carry it like syphilis inside.  Dead bodies rot in field and stream because the living ones are rotten."  The Favourite depicts a world of war, high taxes, and pervasive poverty, all while an absentminded queen sits dazed on the throne.  This movie's most surprising…

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