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Mortal Engines (2018)::rating::2.5

The makers of Mortal Engines clearly went to great lengths to render a fully three-dimensional world, only to populate it with two-dimensional characters.  This is perfectly embodied in a scene where the two protagonists sit breathlessly after a narrow escape.  "That was close!"  One of them gasps.  "Yeah," says the other.  "Too close!"  Millions of dollars are…

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The Favourite (2018)::rating::5

"We breed wars," Eleanor of Aquitaine says in The Lion in Winter.  "We carry it like syphilis inside.  Dead bodies rot in field and stream because the living ones are rotten."  The Favourite depicts a world of war, high taxes, and pervasive poverty, all while an absentminded queen sits dazed on the throne.  This movie's most surprising…

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The Mule (2018)::rating::3

Clint Eastwood's The Mule makes a fascinating companion piece to Robert Redford's recent swan song, The Old Man and the Gun.  Both films center on crinkly geriatrics who stroll their way through a career in crime.  The two movies differ greatly in tone, however, and much of this derives from the lead actors, who imbue their personalties onto…

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Robin Hood (2018)::rating::2

"F orget everything you've seen."  The awkward narration that opens Robin Hood asks a tall order of its audience:  Cast out your memories of Errol Flynn's buckling of swash, Disney's cute, flippant fox, and even Kevin Costner's wandering, wobbling accent.  Make room for this clunky, funky steampunk mishmash that delivers one mile of style for every…

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