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Knock at the Cabin (2023)::rating::2.5
M ost of M. Night Shyamalan's output since Unbreakable has amounted to the cinematic equivalent of a wet willie.  The bad thing is most of these movies have actually been about three-fourths good:  Shyamalan will often dupe us with a fascinating-if-flawed premise, charged with the alternating current of moving character beats and genuinely chilling atmospherics.  Then,…
Renfield (2023)::rating::2.5
R enfield is a lean, dumb sitcom of a movie, built on an irresistible idea:  Take Bram Stoker's titular character, Count Dracula's fanatical bug-munching toady, and rework him for modern times.  Put simply, this Renfield is a long-suffering sycophant, shackled to a toxic relationship with his narcissistic, gaslighting boss. The filmmakers riff on that premise…
Lawrence of Arabia (1962)::rating::5
L awrence of Arabia made me love movies.  When I was a boy, the scene where Peter O'Toole's Lawrence first ventures into the desert was a transformative experience.  David Lean's majestic direction, combined with Maurice Jarre's lush, romantic score and Freddie Young's jaw-dropping 70mm cinematography, formed a moment of magnificent magic.  For the first time,…
Scream VI (2023)::rating::3.5
F ull disclosure:  I left the Scream franchise for dead about three sequels ago.  After all, a bunch of bratty know-it-alls riffing on stale horror tropes is cute for one movie, but it starts gettin' old real quick.  By the third installment, these flicks started losing a lot of blood, and seemed destined for a…
A Man Called Otto (2022)::rating::3.5
I n my years working retail, I once met a man very much like Otto Anderson.  He was sour and belligerent, often muttering hideous and hateful diatribes under his breath.  Restaurant servers and grocery clerks scattered at the sight of him, like frightened Tokyoites from a raging Godzilla.  He was almost universally despised, but I…

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