While it can’t hit and hold the same high notes as its classic predecessors, fans of the genre will find that Onward is still better than just about anything out there.
Ultimately, Richard Jewell plays like an immense tragedy, the garbage-strewn mess left after a media circus moves its dog-and-pony show somewhere else.
Midway marked a turning point in the Pacific Theater, and such monumental events deserve a sturdier and more diligent depiction than they get with this film.
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