L icorice Pizza is an eccentric, shapeless masterpiece. It follows Gary Valentine (Cooper Hoffman), a precocious, entrepreneurial teenager, as he hustles his way through the San Fernando Valley, circa 1973. As…
M att Reeves' The Batman is a sweeping, three-hour elegy on just how miserable it is to be Batman. For much of the film, Robert Pattinson's Dark Knight looks on the verge…
F or much of Drive My Car, Misaki (Tōko Miura) chauffeurs Yusuke (Hidetoshi Nishikima) to and from his job as a theater director. He listens to cassettes of his late…
A s a parent to a toddler, I can now assess the landscape of children's movies with a much higher degree of confidence. My verdict: From a story standpoint, most…
A s a lifelong Spielberg aficionado, I'm honestly a little shocked it's taken him this long to tackle a musical. His movies have always relied on elaborate, ambitious shots that…
W ithin Guillermo del Toro's ambitious, eccentric Nightmare Alley, two very different movies form an awkward coexistence: For much of its first half, we see the dark, sprawling topography of a…
From the opening scene, Spencer announces itself as a sizzling slice of historical fiction. Put another way, this is an imaginative portrait of Princess Diana (Kristen Stewart), painted against the…
D espite that title, we never really see the world through the eyes of Tammy Faye Bakker. Instead, the film only serves up a superficial look at the eccentricities we…
W ith The Tragedy of Macbeth, director Joel Coen and his longtime collaborators labor greatly to deliver a fresh take on the Shakespearean behemoth. Coen strips the legendary work down to…
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