I t may have all the aesthetics of a big, burly action epic, but don't get it twisted: The Bridge on the River Kwai is a nuanced, character-based drama, and a…
I can still remember those heady days in 1996, when everybody this side of Elaine Benes swooned over The English Patient. To audiences and critics alike, Anthony Minghella's magnum opus…
D eep in the mine shafts of my brain, I keep a list of perfect movies. Deeper still, there's a list of perfectly awful movies. Below that, under hundreds of…
A vatar: The Way of Water is 150 minutes of brawny, exhilarating sci-fi spectacle, splayed over 194 minutes of movie. For every badass action scene and 8K CGI of undulating…
O f all the films nominated for a Best Picture Oscar this year, Women Talking confounded me the most. On one hand, writer-director Sarah Polley tells a powerful story, pulled from…
M uch like this year’s The Menu, Triangle of Sadness takes aim at the pinkies-out dilettantes who punish the world with their platinum-coated sense of entitlement. Despite this similarity, the two films…
A s we meet Lydia Tár (Cate Blanchett), somewhere in the deep of middle age, she's already a woman with nothing left to prove. When she sits for an interview…
W ith the Oscars fast approaching, it's time to take a closer look at the nominees. It's a boatload of fun to rank things, so let's make a list, shall…
F or much of Drive My Car, Misaki (Tōko Miura) chauffeurs Yusuke (Hidetoshi Nishikima) to and from his job as a theater director. He listens to cassettes of his late…
W ithin Guillermo del Toro's ambitious, eccentric Nightmare Alley, two very different movies form an awkward coexistence: For much of its first half, we see the dark, sprawling topography of a…
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