L ike many of the greatest Westerns, Jane Campion's The Power of the Dog is a film built on paradoxes. Phil Burbank (Benedict Cumberbatch) is an eccentric cowboy who somehow projects charisma…
After three horrifying After movies, I'll go ahead and say it: Nothing about any of this saga is romantic. If anything, these ugly, miserable, pedantic stories represent an…
Joy also delivers some truly remarkable visuals that pop up like small pockets of self-contained brilliance. At the same time, Reminiscence is one of those confounding movies that will only make you…
That shift in focus results in a movie that’s extremely well-acted and passionately made, but also overlong, emotionally aloof, and jarringly uneven. In an awkward irony, Stillwater navigates some…
Some audiences may find this film to be too mannered and deliberate, but I enjoyed watching Christoph Waltz’s character spin the webs that will eventually ensnare him.
The first two-thirds of Moffie feels like a bucket of cold ice water, and most of the world could use a good dousing. That greatness dissipates into mere goodness, but…
On one hand, this represents a new angle on the Capone legend. Unfortunately, this is also an eccentric, unpleasant film that gets lost telling a story nobody was asking to…
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