A s Good as It Gets provokes a dilemma I've never encountered before: On one hand, it blazes a trail through difficult issues, such as OCD and homophobia, places Hollywood had long…
I can't say when it happened, but at some point during Thunder Force, my soul left my body. To be clear, we aren't talking about some transcendent spiritual experience. No,…
W ith The Tragedy of Macbeth, director Joel Coen and his longtime collaborators labor greatly to deliver a fresh take on the Shakespearean behemoth. Coen strips the legendary work down to…
As with Alfonso Cuarón's brilliant Roma, Belfast serves as a conduit for writer-director Kenneth Branagh to explore his own childhood. Both films feature the fading, fragile innocence of youth, juxtaposed with…
F ew TV stars, past or present, could breathe the same rarified air as Lucille Ball and Desi Arnaz. As a power couple, they dominated the Nielsen ratings throughout the…
I ronically, The Matrix Resurrections trades heavily on nostalgia for that pioneering first film, while also embodying many of the same flaws that doomed its sequels: For all the explosions and…
When The Last Duel tanked at the box office, director Ridley Scott threw a raving hissy fit. He blamed the film's financial failure on millennials with their iPhones and the Facebook…
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