T he Harlem Cultural Festival was a massive musical happening, spread over six weeks of 1969's sweltering summer. Tens of thousands concert-goers crammed into Harlem's Mount Morris Park to hear…
F or much of Drive My Car, Misaki (Tōko Miura) chauffeurs Yusuke (Hidetoshi Nishikima) to and from his job as a theater director. He listens to cassettes of his late…
A fter 160 minutes of House of Gucci, I can confidently say I have no idea what the hell I just watched. Is this a gloriously trashy piece of pop art--the…
A s a parent to a toddler, I can now assess the landscape of children's movies with a much higher degree of confidence. My verdict: From a story standpoint, most…
A s a lifelong Spielberg aficionado, I'm honestly a little shocked it's taken him this long to tackle a musical. His movies have always relied on elaborate, ambitious shots that…
W ithin Guillermo del Toro's ambitious, eccentric Nightmare Alley, two very different movies form an awkward coexistence: For much of its first half, we see the dark, sprawling topography of a…
T he title for CODA is a fascinating play on words: In the context of this film, its most obvious use is an.acronym--Child of Deaf Adults. But a coda is also…
From the opening scene, Spencer announces itself as a sizzling slice of historical fiction. Put another way, this is an imaginative portrait of Princess Diana (Kristen Stewart), painted against the…
A s Good as It Gets provokes a dilemma I've never encountered before: On one hand, it blazes a trail through difficult issues, such as OCD and homophobia, places Hollywood had long…
D espite that title, we never really see the world through the eyes of Tammy Faye Bakker. Instead, the film only serves up a superficial look at the eccentricities we…
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